"Were some (a group of people) to create an ever expanding MerKaBah, eventually the MerKaBah would expand to the point of circumferencing the entirety of the earth. That would be transforming and in violation of the precept of universal law, also known as the Law of Freewill. Were, conversely, all entities therein - in other words within the dimensions of the MerKaBah in accord and/or agreement - then there would be no violation. But we tell you this, then the time prophesied in the holy works would immediately begin. The era of peace, love, and joy and harmony would instantly manifest itself. At that point, the Master could enter. This makes the Way passable." (Information by Al Miner/Lama Sing)
*For more information about Al Miner/Lama Sing, see: www.lamasing.com
Transformative Power of Resonating Tones
The sacred scales of Gregorian chant form the basis for Musical Massage Sound Therapy (MMST). They are a rare combination of sounds that can provide harmony and balance to the energy field. The patterns are composed of a 3-part series of musical scales and variations interspersed with short periods of silence. The long straight tones, plus their resulting overtones and resonance facilitate healing and bring about a state of balance and regeneration. The silence between the tones allows
the body time to ‘remember’ and tune to the vibrations.
the body time to ‘remember’ and tune to the vibrations.
According to Al Miner/Lama Sing, the ascending scale tones harmonize and stabilize the energy centers. The descending scale introduces the higher self, the eternal self or life-force energy. The earth form and the eternal form become united in and around the body in a three-dimensional Star-of-David shape. Through its resonance and overtones, MMST generates sympathetic resonance that begins the healing process throughout the body.
As observed by medical intuitives, MMST also removes negative thought-forms (dull colors) and their destructive bodily effects. With a balanced, resonating field, the body is better able to heal itself. Dis-ease begins in the biofield before it can be seen in the physical body.
MMST is a key that unlocks the doorway to perfect balance.
Musical Instruments
The musical instruments chosen for Musical Massage Sound Therapy have been known
throughout history for their unique healing qualities. They include the flute and
strings. The primary instrument is the cello whose size and reverberating chamber
produces tones that freely resonate with the human body and provide overtones that
resonate sympathetically with all aspects of the body. The flute provides an echo to
the stringed instruments. Its higher and more pure tones tend to create a type of
additional sympathetic resonance, which reverberates into deeper levels of the human
psyche or outer reaches of the energy field.
throughout history for their unique healing qualities. They include the flute and
strings. The primary instrument is the cello whose size and reverberating chamber
produces tones that freely resonate with the human body and provide overtones that
resonate sympathetically with all aspects of the body. The flute provides an echo to
the stringed instruments. Its higher and more pure tones tend to create a type of
additional sympathetic resonance, which reverberates into deeper levels of the human
psyche or outer reaches of the energy field.
The outstanding success of Musical Massage Sound Therapy is partly due to its mathematical design, as explained below.
Gregorian Chant Scales
The therapeutic sounds of Musical Massage Sound Therapy are not like ordinary music but rather straight tones (arpeggiated style) based on an ascending scale (Phrygian) and descending scale (Mixolydian) as found in the Gregorian chant literature. The pure sounds relax and soothe. “The progression of sounds is two different depictations of self: first the physical and sympathetically the etheric (light body) or non-physical body; and then focusing upon the etheric on the descending, the sympathetic resonance then transfers to the physical body. During the ascending scale, the primary focus is in the physical with the resonance in the light body or etheric body; during the descending scale, the primary focus is in the etheric body with the resonance in the physical. Thus these cycles tend to promote balance and a clarity of connection between the three expressions of self: spiritual, mental-emotional and physical."
Graphically speaking, the mathematical model of the ascending scale looks like an inverted three-dimensional pyramid. The straight step-wise tones create a resonance, which moves in a ratio of 1 to the power of 2, 2:2, 3:2, etc. When 7:2 is reached, all the notes of the scale plus their harmonics and overtones have been absorbed into the body. As each successive ascending note is played, the pyramid expands to its full form. In the process, it treats primarily the physical and, of course sympathetically, the non-physical or biofield.
At this point, a mirror image is formed creating a reflecting position or an upright three-dimensional pyramid. The vibrational frequencies of the sound patterns, having saturated the body with tones, overtones and resonance, produce a mirror image enabling them to go beyond the physical and into the non-physical. The descending scale focuses upon the bio-energy field and sympathetically resonates with the physical body.
At this point, a mirror image is formed creating a reflecting position or an upright three-dimensional pyramid. The vibrational frequencies of the sound patterns, having saturated the body with tones, overtones and resonance, produce a mirror image enabling them to go beyond the physical and into the non-physical. The descending scale focuses upon the bio-energy field and sympathetically resonates with the physical body.
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Origin and Basis of Musical Massage Sound Therapy
Musical Massage Sound Therapy was conceived when long-time musician and music therapist Dr. Maria McKinney was searching for a form of music that would assist people who were in the process of dying. Most people at this stage are fearful and hold regrets about incompletions in their lives. This stress and fear makes the process of release into the spiritual body more difficult. She was a participant in a group who frequently gathered to hear spiritual messages from Lama Sing through Al Miner of Florida.* She posed the question to Lama Sing who provided basic instructions for the structure of the
composition.
Over the next several months, Dr. McKinney researched the instructions further and composed the three variations that are now included on the CDs. She had the music performed by live musicians in a sound studio and had the first audio cassettes recorded in 1989. The music was performed by Maria McKinney, cellist, Dr. Dorothy Gundling, Maria's twin sister, on the violin and viola, and Nancy Joy Crane on the flute.
Maria and Dorothy in 1998.
Mathematical Model
Tetrahedron, or MerKaBah Formation
The model has been observed by intuitives who ‘see’ the bio-energy field or aura. While listening to the ascending scale, a pyramidal form begins to take shape in the form of a tetrahedron pointing upward, or male aspect of the star tetrahedron. With the descending scale, the female aspect of the overall shape begins to form. These two tetrahedrons interface with each other in the form of a Star of David, or in its three-dimensional form, the star tetrahedron mandala or basis of the MerKaBah. In group settings, the pyramids of each participant become one large MerKaBah, enveloping the entire group and increasing to a size larger than the room. Gold is a color that comes to everyone’s aura, including the inside of the MerKaBah.** (Information provided by Elke Macartney)
